Sony FX30 Cinema Line
Vendu par:
Mido Camera
Mido Camera
- Sony FX30
Présentation de la nouvelle caméra FX30 Cinema Line, conçue pour donner vie à la vision des créateurs de contenu. Faites un saut dans l’univers de la réalisation de films avec la nouvelle ILME-FX30, issue de la très célèbre caméra VENICE de Sony. L’ILME-FX30 offre une entrée en douceur dans le monde créatif de Cinema Line. Elle présente le même rendu S-Cinetone™ que les modèles Cinema Line haut de gamme, une plage dynamique élevée avec S-Log3, une double base ISO, le mode Cine EI, une poignée supérieure XLR, des points de fixation d’accessoires filetés, des indicateurs d’enregistrement et d’autres détails améliorant le flux de travail qui la placent dans la même catégorie que les autres modèles Cinema Line en termes d’ergonomie, de fonctionnalité et de design. Il dispose également d’une sortie RAW via HDMI et d’une fonctionnalité de synchronisation du Time code qui le rend très évolutif. Grâce à une sélection complète d’objectifs à monture E, de solutions audio hautes performances et d’autres composants essentiels, les créateurs disposent d’un système extraordinairement flexible répondant à un large éventail de besoins créatifs.Les créateurs qui commencent avec l’ILME-FX30 pourront facilement progresser dans la gamme Cinema Line au fur et à mesure que leurs compétences s’accroissent, et l’ILME-FX30 continuera à fonctionner efficacement aux côtés des caméras haut de gamme Cinema Line dans pratiquement tous les scénarios de production.
Des images exceptionnelles grâce à un capteur CMOS Exmor R rétroéclairé au format Super 35 et APS-C.
Puissance de traitement BIONZ XR™ pour une qualité d’image et un fonctionnement optimaux
Mise au point automatique fiable et précise
Science des couleurs de qualité cinématographique avec S-Cinetone
Nouveaux modes de prise de vue Log pour la production de films
- Points forts de la FX30
- Capteur Super 35 CMOS Exmor R ™de 20,1MP BSI
- Dynamique de 14+ stops, 30 000 ISO max (800, 2500)
- 4K (QFHD) à jusqu’à 120ips Full HD 240ips
- Stabilisation par le capteur 5 axes, 5,5 stops + Active
- Obturateur électronique à faible « Rolling Shutter »
- Ergonomie « mini Rig » avec 5 filetages intégrés
- Ventilation active, pas de limite d’enregistrement
- Profil d’image S Cinetone , S Log3, S Gamut3.Cine
- Enreg . interne XAVC S et HS (H265) en 4:2:2 10 bit
- 16bit RAW externe via HDMI•AF temps réel à détec . de phase sur 495 points
- Module poignée XLR (4ch) digital en kit ou en option
- Double slot mémoire SD UHS II / CFexpress Type A
- Compacte et légère 562 g (boîtier uniquement)
Fiche Technique :
| Camera Type | Interchangeable lens digital camera |
| Lens Mount | E-mount |
| Weight (main unit only) | 646 g (1 lb 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only) |
| Weight (including supplied accessories) | 951 g (2 lb 1.5 oz) (with XLR Handle, battery and memory card included) |
| Dimensions (W x H x D) | 129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions) |
| Power Requirements | — |
| Power Consumption | [Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached), [Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached) |
| Battery Operating Time | Approx. 115 min (Actual recording, CIPA standard) [FN_33], Approx. 175 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard) |
| Operating Temperature | 0°C to 40°C, 32°F to 104°F |
| Storage Temperature | -20°C to +55°C, -4°F to +131°F |
| XAVC INTRA | — |
| XAVC LONG | — |
| Recording Format (Video) | [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265 |
| Recording Format (Video) | [XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, |
| Recording Format (Video) | [XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264, |
| Recording Format (Audio) | LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit)[FN_37], MPEG-4 AAC-LC 2ch[FN_37] |
| XAVC INTRA | — |
| XAVC LONG | — |
| Recording Frame Rate | [XAVC HS 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 23.98p |
| Recording Frame Rate | [XAVC S 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920×1080/59.94p, 50p, 29.97p, 25p, 23.98p |
| Recording Frame Rate | [XAVC S-I 4K] 3840×2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920×1080/59.94p, 50p, 29.97p, 25p, 23.98p, |
| XAVC INTRA | — |
| XAVC LONG | — |
| Recording/Playback Time | [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes |
| Recording/Playback Time | [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes |
| Recording/Playback Time | [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes |
| Recording Format (Proxy Audio) | XAVC Proxy: AAC-LC, 128kbps, 2 channels |
| Recording Format (Proxy Video) | 1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps) |
| RAW Output | HDMI: 4672 x 2628 (59.94p/50p/29.97p/25p/23.98p), 16bit |
| Video functions | Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector |
| Imaging Device (Type) | APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor |
| Number of pixels (effective) Number of pixels (total) | Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total) |
| Built-in Optical Filters | — |
| ISO Sensitivity | [Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit)[FN_38], [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)[FN38] |
| Shutter Speed | [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec |
| XAVC-I | — |
| XAVC-I/L | — |
| XAVC HS | XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps[FN_39], [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[FN39] |
| XAVC S | XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps[FN_39], [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[FN_39], XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps[FN_40], [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps[FN_40] |
| XAVC S-I | XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps[FN_39], [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[NF_39], XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps[FN_40], [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps[FN_40] |
| White Balance | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom |
| Gain | — |
| Gamma Curve | Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| Latitude | 14+ stop (S-Log3) |
| Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| Focus point | [Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF) |
| Sensitivity range | EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached) |
| Focus mode | [Movie] AF-C (Continuous AF), MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
| Focus area | [Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking |
| Other focus features | Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x) |
| Metering sensitivity | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
| Exposure Modes | [Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) |
| Recording format | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) |
| Image size [3:2] Image size [4:3] Image size [16:9] Image size [1:1] | Image size [3:2] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M)、 M: 2912 x 2912 (8.5M)、 S: 2064 x 2064 (4.3M) |
| Playback Functions | Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills) |
| TC Input/TC Output | Multi/Micro USB, TC IN (accessorie) |
| Audio Input | 3.5 mm Stereo minijack, XLR handle (in kit version): [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack) |
| SDI Output | — |
| USB | USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1) |
| Headphone Output | Yes (3.5 mm Stereo minijack) |
| Speaker Output | Built-in, monaural |
| DC Input | — |
| Remote | — |
| HDMI Output | HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit |
| Multi Interface Shoe | With Digital Audio Interface |
| LAN Terminal | — |
| Grip | — |
| Bluetooth | Bluetooth Standard Ver. 5.0 (2.4GHz band)) |
| LCD | 7.5 cm (3.0-type), Approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg. |
| Viewfinder | — |
| Built-in Microphone | Built-in, stereo |
| Type | CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy |
| File system | FAT12, 16, 32, exFAT |
| Zoom Function | Zoom ring rotate, Clear Image Zoom([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x ), Digital zoom([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x), Smart zoom([Still image] M: Approx. 1.4x, S: Approx. 2x) |
| Shutter | Electronic shutter |
| Drive modes | Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
| Continuous shooting speed | — |
| Noise reduction | High ISO NR: Normal / Low / Off |
| Flash control | — |
| Other still image function | Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot[FN_35] |
| Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
| Mode | [Movie] Active / Standard / Off, [Still image] On / Off |
| Compensation Effect (still images) | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.) |
| Custom Function | Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set |
| Lens Compensation | Peripheral Shading, Chromatic Aberration, Distortion |
| Supported Format | IEEE 802.11a/b/g/n/ac |
| Frequency Band[[F_DA0002]] | 2.4 GHz band [FN_36] |
| Security | WEP/WPA-PSK/WPA2-PSK |
| NFC | — |
| FTP Transfer | Wired LAN (USB-LAN), USB Tethering, Wi-Fi |
| Supplied Accessories | Rechargeable Battery NP-FZ100; AC adapter; Power cord; XLR handle unit (in kit version); Body cap; Accessory shoe cap; Handle shoe cap; USB-A to USB-C cable (USB 3.2) |
Il n'y a pas encore d'avis sur ce produit.
Informations de contact
- Adresse: Mido Camera , Route Nationale 5, Bab Ezzouar, Algeria
- Téléphone: 0793271893
- Email: support@midocamera.dz
